"BLOOD WEDDING" (FEDERICO GARCIA LORCA).   Term Paper ID:26438 Click to get this paper

Essay Subject: Examines play's themes, characters, messages, morality, structure, tragic irony, subjective vs. objective values & perceptions.... More...

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Paper Abstract: Examines play's themes, characters, messages, morality, structure, tragic irony, subjective vs. objective values & perceptions. Paper Introduction: The purpose of this research is to examine the play Blood Wedding by Federico Garcia Lorca. The plan of the research will be to set forth the thematic pattern of ideas and meanings contained in the work and then to discuss the means by which these ideas are elaborated, with a view toward evaluating why the full effect of the presentation is one of high tragedy and the existence of a major work of world literature. The themes of Blood Wedding emerge out of a structure of human consciousness that carries the burden of remembered conflict, remembered injury, remembered grief. Grief and loss, indeed, so dominate the Mother's consciousness that there is a tension in her anticipation of her son's wedding. So simple a gesture as giving him his vineyard knife calls to her mind the murders of her husband, long ago, and her other son, more recen Text of the Paper: The entire text of the paper is shown below. However, the text is somewhat scrambled. We want to give you as much information as we possibly can about our papers and essays, but we cannot give them away for free. In the text below you will find that while disordered, many of the phrases are essentially intact. From this text you will be able to get a solid sense of the writing style, the concepts addressed, and the sources used in the research paper. the means by which these ideas Wedding emerge out of a structure of a gesture as giving him his is good but evenso when I say her name implicationthat a family trust is being violated It engaged to Leonardo Felix who has married her cousin thegirl's because they are complicated by an indirect when the Mother's husband was killed the Mother thinks of socially conventional wedding Inanticipation of wedded bliss in Felix and all who are aligned withthe action This would go far to explain why of all thecharacters only the Bridegroom and the Bride's Father choice for obscure reasons perhaps inconvenient geography perhaps a Leonardo is implicated as a of his infidelity It turns out that he rideshis horse to do what is expected of her marry the the problems associated with satisfying thatpassion in the face says worlds aboutmust have been a you done with your two hands Lorca old passion between theBride and Leonardo was not sexually beforeLorca's own If that interpretation holds however then it is as ateenager fearful of her reputation pushed Leonardo away then point of view the fact otherwiseunresolved passion the consequences of which are the dominant social morality places on subjectivity But in Wedding is so formal as to have thecharacter of is at least in part vehicle of suchchallenge It follows that even though the events are a necessarymechanism for supplying the to the authorityof the text In leaves a residue of waste and destruction But act on whatever hatred or inside the Mother's home But the Bride'sdeliberate embrace of assertion ofhow strongly human action can crush the impulse the claims of social convention and vulgarreality In Blood or anyway seems meant to become ofsecondary importance Wedding had in the U S commercial theatre when it personified as a woodcutter and Death as a beggar hand but that slides in clean through failure of poetic reality in Blood Wedding In thatregard the introductory matter to the twinthemes of love and death indeed Leonardo and theBride elope then remain together reputation and the practicalsocial difficulties they They go out in each other's arms Lorca The Blood Wedding is not Romeo and Juliet for together forever But Blood Wedding is not a is the fact that the the Bridegroom's knife shortlyfollows That undoubtedly explains the first shriek a second shriek followedby the apotheosis of the Beggar Woman of what the stage direction to the ambiguity But the real confusion comes from that direction The curtain comes down in absolutesilence Lorca Bridegroom presumably in the death struggle It is the Beggar direction as anenvironment of ultimate clarification There should not for love The two offstage in front of her Virgin she was and virgin she the whiteness of mybreasts Lorca The irony here is that wasted his life just as Leonardo'sinsistence of redeemed passion to be found in Blood of snow The Mother's consciousness the very hill foryears Her household functions as as to escape the womb cut himself off of of that goal and as Motherfaces The collision between objective reality Thesubjective misgivings that she has turn out one left to mourn when asher that is theelopement of his Bride with More exactly theMother will return to the encasing shield more exactly does nothave the status of shield as The Surrealist Manifesto' on paperreveals Citing the intensityof This is certainly evident in the and all your son'ssons held me by the lighting and scenery plotin the final scene stark-white walls and of such purity that it is stripped and weapon of passion This is the of a scream Lorca The irony of double meaning dominates consciousness keeping itin connection betweencharacter emotion and action contribute York New Directions Garcia Lorca Francisco Prologue Blood Wedding By Society to When We Dead Awaken University Park ironies of the coming marriage experience A Parallels between Mother and Leonardo earlier split between Leonardo Bride Leonardo's rebound marriage a mistake catharsis made credible by formalistic presentation C Tension between practical concerns for love facign death willingly B Ironic Leonardo and Bride D Sharing and tension between Bride final white scene symbolizing purification of the sea recalls Ibsen's Lady from the that follows Lady in Ibsen's socially conventional marriage after a spat with the will be to set forth thethematic pattern of one of high tragedyand the existence of a major so dominate the Mother'sconsciousness that there is a at the hands of a rival clan the same clan the prospect of happy union despite with the dreaded Felix family from the village circle hence alien to custom andfamiliarity In that is for theMother a situation more to be faced loss of herhusband and firstborn son caused though she be maintained TheBridegroom's Mother adopts a Stoic this demeanor prevents expressionof feeling and unexpressed feeling to pay the pro forma callto the Bride's of the figure of her presumed enemy and that all-importantfamilial attribute a Wife whom Leonardo appears to near her The Bride for her part clings the Brideacknowledges that the Bridegroom is a II when Leonardocontrives to pay do LEONARDO To see your wedding BRIDE Just as I each still feels and has always felt for the Blood Wedding as an antique artifact ofthe s even attached But suppose what is perfectlypossible that the break her own cousin his Wife Thus consummate with Leonardo because they areon the run can be to serves as ananchor and symbol of verisimilitude and indeed fosters the frustrated reality of unconsummated sexual love atragedy in three acts and seven scenes Lorca is the playwright is asserting an artisticchallenge to reader or words the play's evocations are likely to beas plot and the behavior of the characters come to standfor as cleansing the conflictsthat the emotion and thatthe survivors drained of will and energy Bride and the Mother insists successful and unforgiving the catharsis hasbeen This the text the characters' direct experience of fundamental of implicationand symbol so that what is poetically real becomes who find the poetic reality modern-day messageplay What could Americans make of a play that lines like with a knife with a of the American commercialtheatre's failure of imagination whether among logic of themetaphorical reality within beings to an unreal world where Moon lives of the Brideand Leonardo An absence of will be Because I am dead BRIDE And I dead death becomespreferable to the prospect of remaining alive but so far therhythm of tragedy is a romantic lovers' leap into the abyss as the Bride ambiguous beforetransfiguring itself into an exercise be sure total annihilation forLeonardo keeping with the emotional intensity that has been building to concrete expression in the moment she sweeps more in common with symbolic dancechoreography Moon has appeared overhead stopping immediately after in the final scene thatit was not the Bride who in the night's splendor Lorca The mise en sc has violated expectation and the Bridegroom's theBride who saw one then I may be crazy but that they can bury mewithout member ofthe triangle By the same token the Bridegroom's rebound had the long-term effect of wasting Leonardo's Wife is notthinking about the has not ventured so far course that of her surviving womb and in the world of external organ which he intends to be instrumental inthe parental love sheacquiesces in the objectivity that of values to the aftermath of the collision ofsubjective would be the unity of subjective and objective experienceitself collides company with the Bride-widow whose wedding-daybehavior was a proximate passion But at the endof of love predominates Molarsky says that Lorca is vibrantly the most strikingfeature of its mise en have draggedme always always always to their encounter with others as well asthe highly in the aftermath ofthe deaths of at the closing moments of the play through theastonished flesh and stops at the place as the mostprofoundly subjective experience of life The a marker of profound tragedy Thus do discrete units ofdramatic Works CitedGarcia Lorca Federico Blood Wedding Trans James Graham-Lujan and The Ibsen Cycle The Design of I The themes of Blood versus surface demeanorII Irony of character experience physically virginal but sexually allied with Leonardo Earlier The dramatic structure of Blood Wedding Formalistic ritualistic the play heighten tensionIV Interplay of love death specific stage directions to move action world no comfort to herV Intensity and mood created senseless tragic waste the result of combined world of everyday life Ibsen'sheroine comfort and responsibility asopposed to intense romance was badchoice The purpose of this research is to examine the play are elaborated with a view towardevaluating humanconsciousness that carries the burden of vineyard knife calls to hermind the murders of her I feel as though someone had hit me on is present in the nature of theirony of the marriage mother did not love her husband in alliancewith the Felixes they lend the murder as having happened yesterday an organized social environment there Felixes despite what is clearly an the Mother doesnot exactly jump for anticipate thewedding without suspicion The irony of lover's spat with the Bride marrying the wrong cousin womanizer because he is so to the bedroom window of the Bride not to Bridegroom and live aconventional life of conflicting claims on one's hasty parting and failure to resolve their relationship BRIDE What This exchange of recriminations does not conceal indeed it consummated can be interpreted as acuriosity of moral and social difficult toexplain why Leonardo and the Bride did not came toregret it as he perhaps churlishly plowed that the Bride remains lostand emotionalmodality of the action Thus that caseverisimilitude itself can be seen as ritual The fact that it is a self-conscious aesthetic exercise for aplaywright who has the content of the challenge is likely to bepresentational basis on which meanings are to be made To this play the ritual enactment of emotion and personal by the end of theplay the conflicts are so decisively revenge might lingerbetween clan-feud antagonists There an empty life to be lived toward it especially afterthe imagination has been so Wedding what is real within the meaning of This theatrical convention appears to have first was performed in the s the same yearas Plain talking actors from the the astonished flesh Molarsky This All that is required of the text is Graham-Lujan-O'Connell edition ofBlood Wedding comments that the play moves are tied to the development despite the ever-increasing level ofphysical and psychological will face if they confront those friends andfamily they image of the couple leaving matters arenot so simple as what is to play about romantic heroism for at decisive momentof action takes place offstage depriving reader that is heard Thisallows the Bridegroom to whose status as the symbol of calls a bird The suddenviolence second shriek which is not quiteexplained in the stage direction This is poetic ambiguity raised to the level ofperversity owing Woman who has the barefacts be a single graynor any shadow not even shrieks separated by a tense remains As she explains to the sexual purity is not anaccomplishment but an index of the on marrying rather in haste it Wedding it may lie inLeonardo's son world in which she encasesherself is dominated by profoundly subjective a symbol of the profound the vine as one would cutthe umbilical cord and make theinstrument of his functioning in the and her subjective worldforces her into a decision for to be ironically prescientabout the shape that her son's objective-world son deliberately pursues resolution of the Leonardo The irony compounds when womb with the Bride after the final-scene ceremony in the past but a prison a potently visceral force on stage The most striking feature Bride's statement that Leonardo dragged me along like the hair Both intensity and mood emerge in floor no perspective Mood andintensity amplify of all nonessentials onlypassion remains to inflect the scene and knife says Mother that barely fits the scream of death as theobjective fact of life merges perpetual tension This too is fallout to a whole that is and is Garcia Lorca Trans James Graham-Lujan and Richard L O'Connell Pennsylvania Pennsylvania State UP Molarsky Mona A Feast Clan rivalry Conflict between social convention versus B Bride's regret at losing Leonardo gaining Bridegroom D Bride's virginity first a poetic and everyday reality Lorca's metaphorical usages not to everyone's plot twist not merely romantic tragedy Death-Character and Mother after double death Bride's virginity no compliment nonessential elements B Knife doubly symbolic of weapon of death Sea inwhich the sea and the figure of a seafaring series of realistic dramas Hedda girl whoturns out to have been his ideas and meanings contained in the work and then todiscuss work of world literature The themes of Blood tension in her anticipation of her son'swedding So simple to whichthe Bridegroom's intended belongs I know the girl theMother's pledge to love her new daughter-in-law there is an Village gossip surrounds the girl She was formerly isolation these pieces of village gossip are harmless Together especially and endured than embraced Although Leonardo was a child suppresses it for the sake ofsupporting the done thing or demeanor in company which may preventan absolute outburst against Leonardo just like unsatisfied passion canlead to negative father to request the girl's hand Indeed Leonardo who has made a badmarital firstborn son pining for the girl he left behind have married on the rebound is mistaken about the shape to the memory of Leonardo whileresolving good man is the factor ofunsatisfied passion And a visit to the Bride a brief exchange saw yours LEONARDO Tied up by other From one point of view the fact that the though the time period of the play is a generation between them came about because the Bride from another and moreemotionally credible interpreted as unenacted suppressed or of the limits that objectivereality The dramatic structure of Blood an immediate clue thatthe play audience with the play itself the important as its manifest events something beyond themselves it is necessary to look histories represent To be sure working out theconflicts could muster the creativestrength to attempt to that the Bride weep forher loss at the door not is not a failure of human imagination but rather an cosmicforces acts as a counterpoint to the dominant force andwhat is palpably real becomes unconvincing Molarsky cites the mixed reception that Blood included among its characters the Moon tiny knife that barely fits the impresarios or the audienceis irrelevant than about the the scope of the dramatic design andDeath can become personified onstage Francisco Garcia Lorca The the fear of death grows as too Lorca Momentary misgivings about the Bride's apart As the stagedirection explains moving toward a culmination of romantic heroism hopeless love But and Leonardoescape the wrath of the injured Bridegroom in tragic irony more exactlyprofoundly ironic tragedy First there presumably at the point of thisepisode But the offstage action continues with hercape up in the figure than with explaining the plot contributes theBeggar Woman has spread her wings Whereupon according to died with Leonardo but rather the ne is presented via stage mother confirmsthat the two men killed each other the other man in her life die a single man ever having seen himself in insistence onsatisfaction of his honor has his life If there is anysense future but about the beautiful horseman who is now aheap as the top of the nearest son though he wants nothingso much objective reality The vineyardknife can be interpreted as the instrument same thing after the wedding This anticipation is what the her son the Bridegroom pursues and objective experience She is the with the bold assertion of subjectivity cause of the Bridegroom's death the play the shell of the womb is not a theatrical and emotionalto the core What might read like sc ne is the evocation of mood even if I were an old woman specific settings right down to the the Bridegroom and Leonardo The final white scene is thesetting this time asboth murder weapon where trembles enmeshed thedark root dialectic or perhaps moreaccurately the realization made concrete by language and the Richard L O'Connell Three Tragedies New the Plays From Pillars of Wedding A Structure of human consciousness and memory B Multiple Tension between subjective and objective sexual rejection possible reason for aesthetic A Formalism helps clarify feelings of characters B Forceful irony aesthetics in Blood Wedding A Lovers discard all C Unexpected death of Leonardo and Bridegroom not by interplay of setting character emotion symbolism A The elements of dramatic presentation This allusion to chooses bourgeois responsibility though as Johnston suggests theplay after all a bad one just as Leonardo'sopting for Blood Wedding byFederico Garcia Lorca The plan of the research why the full effect of the presentation is remembered conflict rememberedinjury remembered grief Grief and loss indeed husband long ago and her other son morerecently apparently the foreheadwith a rock Lorca Despite of her remaining son to a girl whose family isaligned any case the girl is isolated miles away weight to dread of a marriage She willnever relinquish the depth of passionate feeling that the arecertain things that one cannot say because decorum must excess of internalized subjectivepassion about her loss Equally however joy when going with her son the Mother's situation is almost directly paralleled inthe irony anddespite enjoying the trappings of hearth home often absent fromhome but the touch or even toreveal his presence but just to be The difficulty with that choice even though whole experience ofcomfortable moral life point toward catastrophe In have you come here to highlights thedepth of passion that convention in Spanish-peasant village lifecirca This would tend to date sneak off and have sex when theywere previously emotionally other pastures adding insultto injury by making virgin not having time to peasant morality can be said a cause of the depth of suppressed passion that described in a colophon as recognized tragic sensibility in his originalconception In other words slightly artificial perhaps self-consciously symbolic ofmeaning and moment In other seehow the events of the historieshas the effect of clarifying feeling as well resolved that it is inconceivable is a momentary confrontation betweenthe Mother and the without protest withoutshadow or substance shows how long and so forcefully suppressed by pettysocial norms In everydayexperience is pushed back further and further by the power been asource of difficulty for critics Clifford Odets's Waiting for Lefty an agit-prop land of Jimmy Stewart found themselves speaking comment really says more about the failure that it remain true to the from the field of the veryhuman passions of concrete andreification of the essentials of life with the scope of danger to them both LEONARDO If they separate us it have disappointed are set aside so that the scene is striking and be expected from the direction and thedialogue thismoment of highest intensity the action becomes and audience of absoluteclarity about what is happening To reclaim his social reputation and is undoubtedlyin theAngel of Death is given of the action which has or in the dialogue at least not yet Meanwhile the to the perverse twist revealed of the case that there are two dead men what is necessary for perspective Lorca Butthe action but long moment now are seen to have come from Mother Iwant her to know I'm clean that waste of the life of the third can be seen in retrospect onthe but within the moment of grief values So encased is she indeed that she privacy of herown womb and of his own life outside the subjective realm ofthe objective world It is also theconcrete symbol of the male one or the other Out of experience will assume Shefloats from one collision problems created when whathe had thought the widowedMother is left to mourn in of purification and manifestation of Unrelentingpassion whether born of hatred ofBlood Wedding is its unrelenting intensity just as pull of the sea and he would the shape of the conflictedhistories that characters bring the effect of the tragedy especially deposit meaning there The symbolof the knife reappears hand but that slides in clean with the scream of orgasm of the double death a waste ofenergy that is meantto be greater than the sum of its parts Three Tragedies New York New Directions Johnston Brian of Lorca American Theatre July grand passions C Depth of feeling C Conflict between Leonardo Bride concealing great love Bride weapon against Leonardo later a permanent curseIII taste Internal logic of poetic devices serve symbolism heightening irony aestheticism Violence offstage vis vis to her Mother's retreat from objective organ of life C Feeling of former lover beckon the heroineEllida away from the comfortable bourgeois Gabler portrays a woman whose choice for bourgeois grand passion turns out to have been a the means by which these ideas Wedding emerge out of a structure of a gesture as giving him his is good but evenso when I say her name implicationthat a family trust is being violated It engaged to Leonardo Felix who has married her cousin thegirl's because they are complicated by an indirect when the Mother's husband was killed the Mother thinks of socially conventional wedding Inanticipation of wedded bliss in Felix and all who are aligned withthe action This would go far to explain why of all thecharacters only the Bridegroom and the Bride's Father choice for obscure reasons perhaps inconvenient geography perhaps a Leonardo is implicated as a of his infidelity It turns out that he rideshis horse to do what is expected of her marry the the problems associated with satisfying thatpassion in the face says worlds aboutmust have been a you done with your two hands Lorca old passion between theBride and Leonardo was not sexually beforeLorca's own If that interpretation holds however then it is as ateenager fearful of her reputation pushed Leonardo away then point of view the fact otherwiseunresolved passion the consequences of which are the dominant social morality places on subjectivity But in Wedding is so formal as to have thecharacter of is at least in part vehicle of suchchallenge It follows that even though the events are a necessarymechanism for supplying the to the authorityof the text In leaves a residue of waste and destruction But act on whatever hatred or inside the Mother's home But the Bride'sdeliberate embrace of assertion ofhow strongly human action can crush the impulse the claims of social convention and vulgarreality In Blood or anyway seems meant to become ofsecondary importance Wedding had in the U S commercial theatre when it personified as a woodcutter and Death as a beggar hand but that slides in clean through failure of poetic reality in Blood Wedding In thatregard the introductory matter to the twinthemes of love and death indeed Leonardo and theBride elope then remain together reputation and the practicalsocial difficulties they They go out in each other's arms Lorca The Blood Wedding is not Romeo and Juliet for together forever But Blood Wedding is not a is the fact that the the Bridegroom's knife shortlyfollows That undoubtedly explains the first shriek a second shriek followedby the apotheosis of the Beggar Woman of what the stage direction to the ambiguity But the real confusion comes from that direction The curtain comes down in absolutesilence Lorca Bridegroom presumably in the death struggle It is the Beggar direction as anenvironment of ultimate clarification There should not for love The two offstage in front of her Virgin she was and virgin she the whiteness of mybreasts Lorca The irony here is that wasted his life just as Leonardo'sinsistence of redeemed passion to be found in Blood of snow The Mother's consciousness the very hill foryears Her household functions as as to escape the womb cut himself off of of that goal and as Motherfaces The collision between objective reality Thesubjective misgivings that she has turn out one left to mourn when asher that is theelopement of his Bride with More exactly theMother will return to the encasing shield more exactly does nothave the status of shield as The Surrealist Manifesto' on paperreveals Citing the intensityof This is certainly evident in the and all your son'ssons held me by the lighting and scenery plotin the final scene stark-white walls and of such purity that it is stripped and weapon of passion This is the of a scream Lorca The irony of double meaning dominates consciousness keeping itin connection betweencharacter emotion and action contribute York New Directions Garcia Lorca Francisco Prologue Blood Wedding By Society to When We Dead Awaken University Park ironies of the coming marriage experience A Parallels between Mother and Leonardo earlier split between Leonardo Bride Leonardo's rebound marriage a mistake catharsis made credible by formalistic presentation C Tension between practical concerns for love facign death willingly B Ironic Leonardo and Bride D Sharing and tension between Bride final white scene symbolizing purification of the sea recalls Ibsen's Lady from the that follows Lady in Ibsen's socially conventional marriage after a spat with the will be to set forth thethematic pattern of one of high tragedyand the existence of a major so dominate the Mother'sconsciousness that there is a at the hands of a rival clan the same clan the prospect of happy union despite with the dreaded Felix family from the village circle hence alien to custom andfamiliarity In that is for theMother a situation more to be faced loss of herhusband and firstborn son caused though she be maintained TheBridegroom's Mother adopts a Stoic this demeanor prevents expressionof feeling and unexpressed feeling to pay the pro forma callto the Bride's of the figure of her presumed enemy and that all-importantfamilial attribute a Wife whom Leonardo appears to near her The Bride for her part clings the Brideacknowledges that the Bridegroom is a II when Leonardocontrives to pay do LEONARDO To see your wedding BRIDE Just as I each still feels and has always felt for the Blood Wedding as an antique artifact ofthe s even attached But suppose what is perfectlypossible that the break her own cousin his Wife Thus consummate with Leonardo because they areon the run can be to serves as ananchor and symbol of verisimilitude and indeed fosters the frustrated reality of unconsummated sexual love atragedy in three acts and seven scenes Lorca is the playwright is asserting an artisticchallenge to reader or words the play's evocations are likely to beas plot and the behavior of the characters come to standfor as cleansing the conflictsthat the emotion and thatthe survivors drained of will and energy Bride and the Mother insists successful and unforgiving the catharsis hasbeen This the text the characters' direct experience of fundamental of implicationand symbol so that what is poetically real becomes who find the poetic reality modern-day messageplay What could Americans make of a play that lines like with a knife with a of the American commercialtheatre's failure of imagination whether among logic of themetaphorical reality within beings to an unreal world where Moon lives of the Brideand Leonardo An absence of will be Because I am dead BRIDE And I dead death becomespreferable to the prospect of remaining alive but so far therhythm of tragedy is a romantic lovers' leap into the abyss as the Bride ambiguous beforetransfiguring itself into an exercise be sure total annihilation forLeonardo keeping with the emotional intensity that has been building to concrete expression in the moment she sweeps more in common with symbolic dancechoreography Moon has appeared overhead stopping immediately after in the final scene thatit was not the Bride who in the night's splendor Lorca The mise en sc has violated expectation and the Bridegroom's theBride who saw one then I may be crazy but that they can bury mewithout member ofthe triangle By the same token the Bridegroom's rebound had the long-term effect of wasting Leonardo's Wife is notthinking about the has not ventured so far course that of her surviving womb and in the world of external organ which he intends to be instrumental inthe parental love sheacquiesces in the objectivity that of values to the aftermath of the collision ofsubjective would be the unity of subjective and objective experienceitself collides company with the Bride-widow whose wedding-daybehavior was a proximate passion But at the endof of love predominates Molarsky says that Lorca is vibrantly the most strikingfeature of its mise en have draggedme always always always to their encounter with others as well asthe highly in the aftermath ofthe deaths of at the closing moments of the play through theastonished flesh and stops at the place as the mostprofoundly subjective experience of life The a marker of profound tragedy Thus do discrete units ofdramatic Works CitedGarcia Lorca Federico Blood Wedding Trans James Graham-Lujan and The Ibsen Cycle The Design of I The themes of Blood versus surface demeanorII Irony of character experience physically virginal but sexually allied with Leonardo Earlier The dramatic structure of Blood Wedding Formalistic ritualistic the play heighten tensionIV Interplay of love death specific stage directions to move action world no comfort to herV Intensity and mood created senseless tragic waste the result of combined world of everyday life Ibsen'sheroine comfort and responsibility asopposed to intense romance was badchoice If this paper is not what you are looking for, you can search again: Search for: or Click here to request an essay written just for you.